Crafting for a cause; your art can make a difference
June 16, 2010 by Terri
Filed under Making a Difference
For decades superstar entertainers have done benefit concerts to raise funds for causes they believed in. I will always remember the 1971 Concert For Bangladesh at Madison Square Garden organized by George Harrison and Ravi Shankar for the relief of refugees from East Pakistan during the 1971 Bangladesh atrocities and Bangladesh Liberation War. The event drew 40,000 people and was the first benefit concert of this magnitude in world history. It featured Bob Dylan, Eric Clapton, George Harrison, Billy Preston, Leon Russell, Badfinger, and Ringo Starr.
The popular summer music festival, Bonnaroo donated $50,000 to Music City flood relief efforts and of course Nashville’s elite songwriters made enormous donations to the flood victims but you don’t have to be a rock-star or billionaire to make a difference.
I’ve heard from artists and crafters who feel called to make a contribution to aid recent disaster victims but think they must have name recognition like sea-life artist and environmental educator Wyland to be taken seriously. Not so.
Local musicians and indi crafters at the Chattanooga Market are sending proceeds from their art to Nashville flood aid and you can make a difference with your craft too. While the magnitude of these issues may feel overwhelming, every little bit helps.
Craft Hope for Haiti has an Etsy store where artist donate the profits to Doctor’s without Borders. Crafting a Green World and Etsy list artists and groups who are using their craft to raise funds for Earthquake victims.
Needleworkers and fiber artists making wash cloths for wiping the fragile birds and sea turtles in the gulf. Yarn shops are donating wool to clean up the oil.
And if you think any effort you make is too small to make a difference, consider eleven year old Olivia Bouler of New York who has raised $70,000 from donations for her bird drawings for the audubon society to help birds in the gulf oil spill. She said, “I want to help, and I want to make a difference and show that the birds are important, and we need to preserve them.” Olivia’s mother, a teacher, says her daughter has proved what she’s always told students: “you can make a difference, and I pretty much believed it,” she says. “But now I know it is truly possible.”
What can you do with your art, your music or other talent that can make a difference?
As always, you are invited to share here. We’d all love to know how you are using your gifts to benefit the world.
Should You Consign to Galleries?
May 27, 2009 by Terri
Filed under Crafting A Living
The question of consignment keeps coming up and while I’ll address it in more detail in the tele-seminar series this summer, let’s touch base on some basics since it’s the time of year to get started.
Assuming you’ve selected the galleries where your crafts will be most compatible, you’ve narrowed down the choices and set up appointments, it’s time to prepare for your meeting.
Show up well prepared with your pieces attractively tagged, with the information we’ve discussed. Price the pieces at retail. Number each piece so that it coincides with a number on your inventory list. (which you will duplicate and leave a copy with the gallery.) Ideally, a thumbnail photograph of each piece next to the number will help you and the gallery owner identify them easily. This doesn’t need to be a high resolution photo, it’s for reference only, not a marketing piece. If your objects are fairly flat, for example jewelry, a simple way to do it is to just place it on your photocopier, scan it and reduce to thumbnail size..
Also, if you have a display that shows your work off well, present the gallery owner with that option. You always want to have display recommendations.
If you are consigning work to gallery far from home, consider asking someone in the area to periodically “shop” the gallery for you. (they are actually your spies.) I can’t count the times I’ve walked into galleries to see a particular artist’s work and it’s nowhere on display. The artist has no idea why he isn’t receiving commission checks and it turns out





